{"id":11436,"date":"2015-03-18T14:00:18","date_gmt":"2015-03-18T13:00:18","guid":{"rendered":"http:\/\/henselt-gesellschaft.de\/?page_id=11436"},"modified":"2024-01-10T10:23:53","modified_gmt":"2024-01-10T09:23:53","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/henselt-gesellschaft.de\/en\/studies\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"<h2>Adolph von Henselt \u2013 Bibliography<\/h2>\n<p>Stand: Februar 2015<br \/>\nCompiled by Gebhard Kindl, Schwabach.<\/p>\n<p>&nbsp;<\/p>\n<table width=\"100%\">\n<tbody>\n<tr>\n<td width=\"189\">Autor<\/td>\n<td width=\"416\">Titel<\/td>\n<td width=\"151\">Herausg.\/Verlag<\/td>\n<td width=\"151\">Ort<\/td>\n<td width=\"74\">Jahr<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table width=\"100%\">\n<tbody>\n<tr>\n<td width=\"189\">Adaiewsky, Ella von (Elisabeth von Schultz)<\/td>\n<td width=\"416\">Adolfo Henselt. Gazzetta musicale di Milano 45, Nr.7.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Mailand<\/td>\n<td width=\"74\">1890<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Adaiewsky, Ella von (Elisabeth von Schultz)<\/td>\n<td width=\"416\">Adolph Henselt. Quelques apercus sur sa m\u00e9thode d\u2019enseignement par une de ses el\u00e8ves.<\/td>\n<td width=\"151\">Rivista musicale italiana 21<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1914<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Adaiewsky, Ella von (Elisabeth von Schultz)<\/td>\n<td width=\"416\">Henseltiana. (Noch ein Beitrag zum Jubil\u00e4um Henselts). Neue Musikzeitung 35.<\/td>\n<td width=\"151\">Karl Gr\u00fcninger<\/td>\n<td width=\"151\">Stuttgart\/Leipzig<\/td>\n<td width=\"74\">1914<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Adaiewsky, Ella von(Elisabeth von Schultz)<\/td>\n<td width=\"416\">Eine musikalische Freundschaft. Zum 100. Geburtstag von Adolph Henselt.<\/td>\n<td width=\"151\">Deutsche Monats-schrift f\u00fcr Russland<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1914<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Adaiewsky, Ella von (Elisabeth von Schultz)<\/td>\n<td width=\"416\">Adolph Henselt. Ein Gedenkblatt.<\/td>\n<td width=\"151\">21.04. \/ 03.05.1914<\/td>\n<td width=\"151\">St. Petersburg<\/td>\n<td width=\"74\">1914<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Adaiewsky, Ella von (Elisabeth von Schultz)<\/td>\n<td width=\"416\">Adolph Henselt. Einige Bemerkungen \u00fcber seine Unterrichtsmethode von einer seiner Sch\u00fclerinnen.<\/td>\n<td width=\"151\">Aufsatz, maschinen-geschr., 100-Jahrfeier<\/td>\n<td width=\"151\">Kopie Weimar<\/td>\n<td width=\"74\">1914<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Amburger, Erik<\/td>\n<td width=\"416\">Musikleben in St. Petersburg um 1800<br \/>\nIn: Kulturbeziehungen in Mittel- und Osteuropa.<\/td>\n<td width=\"151\">Festschrift<br \/>\nf\u00fcr Heinz Ischreyt<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1982<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Amyntor, Gerhard von<\/td>\n<td width=\"416\">siehe: Gerhardt, Dagobert von<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Arnold, Jurij K.<\/td>\n<td width=\"416\">Vospominanija (Erinnerungen). Band 2.<\/td>\n<td width=\"151\">Russisches Archiv<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1901<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Assafjew, Boris<\/td>\n<td width=\"416\">Die Musik in Russland von 1800 bis zur Oktoberrevolution 1917. Entwicklungen \u2013 Wertungen &#8211; \u00dcbersichten. In: musik konkret. Quellentexte Band 9.<\/td>\n<td width=\"151\">Ernst Kuhn<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1998<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Ausstellungskatalog<\/td>\n<td width=\"416\">Adolph von Henselt (1814-1889) zum 100. Todestag. Ausstellungskataloge des Stadtarchivs Schwabach Heft 3, 48 S., m. Abb.<\/td>\n<td width=\"151\">Selbstverlag<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1989<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Ausstellungskatalog<\/td>\n<td width=\"416\">Adolph Henselt. Ein vergessener Komponist der Schumannzeit. Sonderausstellung im Robert-Schumann-Haus Zwickau 30.10.1999 bis 16.01.2000. 12 S., m. Abb.<\/td>\n<td width=\"151\">Selbstverlag<\/td>\n<td width=\"151\">Zwickau<\/td>\n<td width=\"74\">1999<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Ausstellungskatalog<\/td>\n<td width=\"416\">In T\u00f6nen atmen. Siehe L\u00f3pez, Sonja Alejandra undHolzbauer, Hermann (Hg.)<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1896<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Baeker, Ernst<\/td>\n<td width=\"416\">Adolph Henselt. Eine biografische Skizze. Band 5.<\/td>\n<td width=\"151\">Neue Musikzeitung<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1884<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">B\u00e4uerle, Hermann<\/td>\n<td width=\"416\">10. Musikseminar. Methodik des Klavierunterrichts mit Klavierliteratur. 84 S., mit Notenbeispielen.<\/td>\n<td width=\"151\">Klett-Verlag<\/td>\n<td width=\"151\">Stuttgart<\/td>\n<td width=\"74\">1928<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Baker, Theodore<\/td>\n<td width=\"416\">Bakers Biographical Dictionary of Musicians.7. Auflage.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Oxford<\/td>\n<td width=\"74\">1984<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Ballstaedt, Andreas (Hg.)<\/td>\n<td width=\"416\">Chopin 1849\/1999. Aspekte der Rezeptions- und Interpretationsgeschichte. 233 S., mit Abbildungen.<\/td>\n<td width=\"151\">Schmitt-Verlag<\/td>\n<td width=\"151\">Schliengen<\/td>\n<td width=\"74\">2003<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Barnewitz, M.<\/td>\n<td width=\"416\">The latter days of Henselt. In: The Keyboard and Popular Musical Educator. Zeitschrift (engl.).<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1894<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Baruch, Gerth-Wolfgang<\/td>\n<td width=\"416\">Konzertf\u00fchrer. 99 Orchesterwerke von Beethoven bis Richard Strauss.<\/td>\n<td width=\"151\">Fischer-B\u00fccherei<\/td>\n<td width=\"151\">Frankfurt\/M. und Hamburg<\/td>\n<td width=\"74\">1960<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Batka, Richard<\/td>\n<td width=\"416\">Allgemeine Geschichte der Musik. Bd.1 (300 S.), Bd. 2 (332 S.), Bd.3 (394 S.)<\/td>\n<td width=\"151\">Karl Gr\u00fcninger<\/td>\n<td width=\"151\">Stuttgart<\/td>\n<td width=\"74\">1909-1915<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Baumgartner, Alfred<\/td>\n<td width=\"416\">Neuer Konzertf\u00fchrer. (Robert Schumann).<\/td>\n<td width=\"151\">Prisma-Verlag<\/td>\n<td width=\"151\">Wien<\/td>\n<td width=\"74\">1978<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Becker, Carl Ferdinand<\/td>\n<td width=\"416\">Systematisch-chronologische Darstellung der musikalischen Literatur.<\/td>\n<td width=\"151\">Verlag Friese<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1836<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Becker, Heinz und Gudrun<\/td>\n<td width=\"416\">Giacomo Meyerbeer. Ein Leben in Briefen.<\/td>\n<td width=\"151\">Reclam-Verlag<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1983<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Benyovszky, Karl<\/td>\n<td width=\"416\">Johann Nepomuk Hummel. Kopie Auszug, Brief.<\/td>\n<td width=\"151\">Eos-Verlag<\/td>\n<td width=\"151\">Pressburg<\/td>\n<td width=\"74\">1934<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Bernsdorf, Eduard<\/td>\n<td width=\"416\">Neues Universal-Lexikon der Tonkunst. Band 2.<\/td>\n<td width=\"151\">Schaefer<\/td>\n<td width=\"151\">Dresden<\/td>\n<td width=\"74\">1857<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Bertram, Dr.<\/td>\n<td width=\"416\">siehe: Schultz, Georg Julius von<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Bessel, W. W.<\/td>\n<td width=\"416\">Das Jubil\u00e4um Adolph Henselts.<\/td>\n<td width=\"151\">Musik. Rundschau<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1888<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Bie, Oscar<\/td>\n<td width=\"416\">Das Klavier.<\/td>\n<td width=\"151\">Paul Cassirer<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1921<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Biermann, Kurt-R.<\/td>\n<td width=\"416\">Miscellanea Humboldtiana.<\/td>\n<td width=\"151\">Akademie-Verlag<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1990<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Bihrle, Heinrich<\/td>\n<td width=\"416\">Die Musikalische Akademie M\u00fcnchen 1811 bis 1911. Zum 100-j\u00e4hrigen Bestehen.<\/td>\n<td width=\"151\">M\u00fchlthaler\u2019s Buch- und Kunstdruckerei<\/td>\n<td width=\"151\">M\u00fcnchen<\/td>\n<td width=\"74\">1911<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Blume, Friedrich<\/td>\n<td width=\"416\">Romantik.<br \/>\nIn: Die Musik in Geschichte und Gegenwart, Band 11.<\/td>\n<td width=\"151\">B\u00e4renreiter<\/td>\n<td width=\"151\">Kassel \/ Basel<\/td>\n<td width=\"74\">1963<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Boetticher, Wolfgang<\/td>\n<td width=\"416\">Robert Schumann in seinen Schriften und Briefen.<\/td>\n<td width=\"151\">Hahnefeld-Verlag<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1942<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Boetticher, Wolfgang<\/td>\n<td width=\"416\">Briefe und Gedichte. Aus dem Album Robert und Clara Schumanns.<\/td>\n<td width=\"151\">VEB Deutscher Verlag f\u00fcr Musik<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1979<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Bohn, Emil<\/td>\n<td width=\"416\">Hundert historische Conzerte in Breslau. 1881-1905.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Breslau<\/td>\n<td width=\"74\">1905<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Bosl, Karl (Hg.)<\/td>\n<td width=\"416\">Bosls Bayerische Biographie. 8.000 Pers\u00f6nlichkeiten.<\/td>\n<td width=\"151\">Pustet<\/td>\n<td width=\"151\">Regensburg<\/td>\n<td width=\"74\">1983<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Brockhaus, F.<\/td>\n<td width=\"416\">Conversations-Lexikon der Gegenwart. Heft 16.<\/td>\n<td width=\"151\">Brockhaus<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1839<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Brockhaus, F.<\/td>\n<td width=\"416\">Konversations-Lexikon. Band 9.<\/td>\n<td width=\"151\">Brockhaus<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1894<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Brusniak, Friedhelm. Koch, Klaus-Peter<\/td>\n<td width=\"416\">Carl Drube \u2013 Ein Arolser Musiker in den 1860er bis 1880er Jahren in Riga und Moskau.<\/td>\n<td width=\"151\">Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2000<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Budde, Michael<\/td>\n<td width=\"416\">Sisis Hochzeit und das Elisabeth-Fest-Album, Petersberg 2012 mit CD \u201eAbendgedanken\u201c von Adolph Henselt.<\/td>\n<td width=\"151\">Michael Imhof-Verlag<\/td>\n<td width=\"151\">Petersberg<\/td>\n<td width=\"74\">2012<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Bula, Karol<\/td>\n<td width=\"416\">Adolph Henselt in Schlesien. In: Schiwietz, Lucian (Hg.), Adolph Henselt und der musikkulturelle Dialog zwischen dem westlichen und \u00f6stlichen Europa im 19. Jahrhundert.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">B\u00fclow, Marie<\/td>\n<td width=\"416\">Hans von B\u00fclow. Briefe und Schriften.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1895<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Busch, Margarete<\/td>\n<td width=\"416\">Deutsche in St. Petersburg (1865 &#8211; 1914).<\/td>\n<td width=\"151\">IME 6\/ Studioverlag<\/td>\n<td width=\"151\">Essen<\/td>\n<td width=\"74\">1995<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Carus, Carl GustavDr. med.<\/td>\n<td width=\"416\">Verzeichnis der Cranioskopischen und Chirognomischen Sammlung des Geheimen Rath Dr. Carus.<\/td>\n<td width=\"151\">Blochmann &amp; Sohn<\/td>\n<td width=\"151\">Dresden<\/td>\n<td width=\"74\">1863<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Ciesliks Puppenmagazin<\/td>\n<td width=\"416\">Almas Puppen. Goethe Nationalmuseum in Weimar.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">2\/2000<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Citron, Marcia J.<\/td>\n<td width=\"416\">The Letters of Fanny Hensel to Felix Mendelssohn. Pendragon Press 1987.<\/td>\n<td width=\"151\">Pendragon Press<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1987<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Cummings, William H.<\/td>\n<td width=\"416\">Biographical Dictionary of Musicians.<\/td>\n<td width=\"151\">Novello, Ewer and Co.<\/td>\n<td width=\"151\">London<\/td>\n<td width=\"74\">1892<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Dahlhaus, Carl<\/td>\n<td width=\"416\">Henselt. In: Riemann Musiklexikon.<\/td>\n<td width=\"151\">Schott-Verlag<\/td>\n<td width=\"151\">Mainz<\/td>\n<td width=\"74\">1972<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Dahlhaus, Carl<\/td>\n<td width=\"416\">Die Musik des 19. Jahrhunderts. Band 6.<\/td>\n<td width=\"151\">Neues Handbuch derMusikwissenschaft<\/td>\n<td width=\"151\">Laaber<\/td>\n<td width=\"74\">1989<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Dannreuther, Edward<\/td>\n<td width=\"416\">Adolph von Henselt. In: Grove\u00b4s Dictionary of Music and Musicians. 5. Auflage.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">London<\/td>\n<td width=\"74\">1954<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Davis, Richard Beattie<\/td>\n<td width=\"416\">Henselt, Balakirev and the Piano. In: The Music Review,Vol. 28,3 (englisch).<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1967<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Davis, Richard Beattie<\/td>\n<td width=\"416\">The beauty of Belaieff.<\/td>\n<td width=\"151\">Barbican-Centre<\/td>\n<td width=\"151\">London<\/td>\n<td width=\"74\">1987<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Davis, Richard Beattie<\/td>\n<td width=\"416\">Adolph von Henselt (1814 &#8211; 1889). A provisional listing of his works with Commentary. In: Ausstellungskataloge des Stadtarchivs Schwabach Heft 3. Zum 100. Todestag.<\/td>\n<td width=\"151\">Selbstverlag der Stadt (englisch und deutsch)<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1989<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Davis, Richard Beattie<\/td>\n<td width=\"416\">Adolph von Henselt (1814 &#8211; 1889). Kurzbiographie und Werkhinweise (englisch).<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">2001<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Davis, Richard Beattie<\/td>\n<td width=\"416\">Ein \u201eHurra\u201c auf Henselt. Classical music 15.02.2003. The friary Press Dorchester (englisch und deutsch).<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">London<\/td>\n<td width=\"74\">2003<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Davis, Richard Beattie<\/td>\n<td width=\"416\">Henselt and the Russian Piano Music of his Time.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Davis, Richard Beattie<\/td>\n<td width=\"416\">Notes on Music (Erl\u00e4uterungen zu verschiedenen Kompositionen, englisch).<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">2005<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Davis, Richard Beattie<\/td>\n<td width=\"416\">The beauty of Belaieff. An annotated pictorial history of a 19th. Century Russian music publisher and his era.<\/td>\n<td width=\"151\">G-Clef Publishing, Pr. by Bissett Group<\/td>\n<td width=\"151\">London<\/td>\n<td width=\"74\">2008<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Dedinova, Hana<\/td>\n<td width=\"416\">Smetanuv cyclus \u201eBagately a impromptus v. Konfrontacis Klavirnimi skladbanu A. Henselta\u201c.<\/td>\n<td width=\"151\">Dissertation<\/td>\n<td width=\"151\">Praha<\/td>\n<td width=\"74\">1972<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Deutsch, Otto Erich<\/td>\n<td width=\"416\">Musikverlagsnummern. Eine Auswahl von 40 datierten Listen 1710-1900.<\/td>\n<td width=\"151\">Merseburger-Verlag<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1961<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Diehl, Alice (geb. Mangold)<\/td>\n<td width=\"416\">Musical Memories. Henselt, S. 74-100.<\/td>\n<td width=\"151\">Bentley &amp; Son<\/td>\n<td width=\"151\">London<\/td>\n<td width=\"74\">1897<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Diehl, Alice (geb. Mangold)<\/td>\n<td width=\"416\">The true story of my life. An autobiography byAlice M. Diehl.<\/td>\n<td width=\"151\">Novelist-Writer-Musicians<\/td>\n<td width=\"151\">London New York<\/td>\n<td width=\"74\">1908<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Dippert, Wolfgang<\/td>\n<td width=\"416\">Adolph von Henselt. Klaviervirtuose, Komponist und Musikp\u00e4dagoge.<\/td>\n<td width=\"151\">Ausstellungs-Katalog. Iffland<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1989<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Dippert, Wolfgang und Sandra Kutzsche<\/td>\n<td width=\"416\">Schwabach und Henselt. Historischer Kontext und kulturelle Perspektive: Die Zeit 1813-1817.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">D\u00f6mling, Wolfgang<\/td>\n<td width=\"416\">Franz Liszt und seine Zeit. Laaber-Verlag, Laaber 1998.<\/td>\n<td width=\"151\">Laaber-Verlag<\/td>\n<td width=\"151\">Laaber<\/td>\n<td width=\"74\">1998<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">D\u00f6rffel, Alfred<\/td>\n<td width=\"416\">Die Gewandhauskonzerte zu Leipzig, Festschrift zur 100-j\u00e4hrigen Jubelfeier der Einweihung des Konzertsaales (1781-1881), Band 1 und R\u00fcckblick (1781-1981), Band 2.<\/td>\n<td width=\"151\">Reprint der Ausgabe von 1884<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Dunkl, Johann Nepomuk<\/td>\n<td width=\"416\">Aus den Erinnerungen eines Musikers.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Wien<\/td>\n<td width=\"74\">1876<\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Edler, Arnfried<\/td>\n<td width=\"416\">Robert Schumann und seine Zeit.<\/td>\n<td width=\"151\">Laaber-Verlag<\/td>\n<td width=\"151\">Laaber<\/td>\n<td width=\"74\">2008<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Ehrlich, A. (Hg.)<\/td>\n<td width=\"416\">Ber\u00fchmte Klavierspieler der Vergangenheit undGegenwart. 2. Aufl. (Datei auf CD) 390 S. m. Abb.<\/td>\n<td width=\"151\">A. H. Payne<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1898<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Eichenseher, Kurt<\/td>\n<td width=\"416\">Adolph Henselt und seine Kompositionen.Lehramtspr\u00fcfung.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1958<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Einstein, Alfred<\/td>\n<td width=\"416\">Das neue Musiklexikon. Nach dem Dictionary of modern Music and Musicians.<\/td>\n<td width=\"151\">herausgegeben von A. Eaglefield-Hull.<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1926<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Eisfeld, Alfred und Hellmann, Manfred<\/td>\n<td width=\"416\">Tausend Jahre Nachbarschaft. Russland und die Deutschen.<\/td>\n<td width=\"151\">Stiftung OstdeutscherKulturrat Bonn<\/td>\n<td width=\"151\">M\u00fcnchen<\/td>\n<td width=\"74\">1988<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Eismann, Georg<\/td>\n<td width=\"416\">Robert Schumann.<br \/>\nEin Quellenwerk \u00fcber sein Leben und Schaffen. Band 1.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1956<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Eitner, Robert<\/td>\n<td width=\"416\">Buch- und Musikalienh\u00e4ndler.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1904<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Eitner, Robert<\/td>\n<td width=\"416\">Henselt. In: Allgemeine Deutsche Biographie, 10 B\u00e4nde.<\/td>\n<td width=\"151\">Breitkopf &amp; H\u00e4rtel<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1905<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Engel, Hans<\/td>\n<td width=\"416\">Die Entwicklung des Deutschen Klavierkonzerts vonMozart bis Liszt.<\/td>\n<td width=\"151\">Breitkopf &amp; H\u00e4rtel<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1927<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Fay, Amy<\/td>\n<td width=\"416\">Musikstudien in Deutschland. Aus Briefen in die Heimath. Band 3, 206 S.<\/td>\n<td width=\"151\">Oppenheim-VerlagReprint ConBrio<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">18821996<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Fett, Armin (Hg.)<\/td>\n<td width=\"416\">Harmonika-Jahrbuch 1955: Friedrich Haag. Zum 75. Geburtstag am 10.09.1955, Jg. 6, 162 S., m. Abb., S. 73.<\/td>\n<td width=\"151\">Hohner-Musikverlag<\/td>\n<td width=\"151\">Trossingen<\/td>\n<td width=\"74\">1955<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Fischer, Christina<\/td>\n<td width=\"416\">Adolph von Henselt. Facharbeit, WEG Schwabach 2007.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">2007<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Fischer, Ernst (Hg.)<\/td>\n<td width=\"416\">Pestalozzi-Album<\/td>\n<td width=\"151\">Meinhold<\/td>\n<td width=\"151\">Dresden<\/td>\n<td width=\"74\">1852<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Fischer, Hermann Wohnhaas, Theodor<\/td>\n<td width=\"416\">Die N\u00fcrnberger Orgelbauer Bodechtel. Musik in Bayern.<\/td>\n<td width=\"151\">Gesellsch. f\u00fcr Bayer. Musikgeschichte<\/td>\n<td width=\"151\">Tutzing<\/td>\n<td width=\"74\">1995<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Fischhof, Joseph<\/td>\n<td width=\"416\">Liszt in Wien.<\/td>\n<td width=\"151\">NZfM, Bd.8, Nr.33<\/td>\n<td width=\"151\">Leipzig 1838<\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Foerster, Otto<\/td>\n<td width=\"416\">Alexander Winterberger. Seine Werke. Sein Leben. 50 S. mit Portr\u00e4t.<\/td>\n<td width=\"151\">Oertel-Verlag<\/td>\n<td width=\"151\">Hannover<\/td>\n<td width=\"74\">1905<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Franke, Knut<\/td>\n<td width=\"416\">\u201e&#8230;eine Spezialit\u00e4t f\u00fcr sich\u201c. Hinweise auf A. Henseltfono forum Heft 11.<\/td>\n<td width=\"151\">Dr. W. Facius<\/td>\n<td width=\"151\">Bielefeld<\/td>\n<td width=\"74\">1974<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Freller, Karl<\/td>\n<td width=\"416\">Rede zum 25-j\u00e4hrigen Bestehen der Adolph-von-Henselt-Musikschule in Schwabach, Schwabach 2005.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">2005<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Freund, Eduard<\/td>\n<td width=\"416\">Gewerbe und Industrie Schwabachs im Wandel der letzten Jahrhunderte. In: H.Schl\u00fcpfinger (Hg.) Festschrift 600-Jahrfeier der Stadt Schwabach.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1971<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Friedell, Egon<\/td>\n<td width=\"416\">Kulturgeschichte der Neuzeit.<\/td>\n<td width=\"151\">C. H. Beck<\/td>\n<td width=\"151\">M\u00fcnchen<\/td>\n<td width=\"74\">1927 -1931<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Funke, Klaus<\/td>\n<td width=\"416\">Am Ende war alles Musik.<\/td>\n<td width=\"151\">Faber &amp; Faber<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">2005<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Gathy, August<\/td>\n<td width=\"416\">Musikalisches Conversations-Lexikon. Enzyklop\u00e4die.<\/td>\n<td width=\"151\">Niemeyer<\/td>\n<td width=\"151\">Hamburg<\/td>\n<td width=\"74\">1840<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Geck, Martin<\/td>\n<td width=\"416\">\u201eHenselt, Georg Martin Adolph\u201c. In: Neue Deutsche Biographie Bd. 8, S. 563.<\/td>\n<td width=\"151\">Onlinefassung<\/td>\n<td width=\"151\">&#8212;<\/td>\n<td width=\"74\">1969<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Geck, Martin<\/td>\n<td width=\"416\">Robert Schumanns s\u00e4chsische Jahre. Der Komponist als Autor und Herausgeber. In: BIS \u2013 Das Magazin f\u00fcr Bibliotheken in Sachsen.<\/td>\n<td width=\"151\">Hg. SLUB Dresden<\/td>\n<td width=\"151\">Dresden<\/td>\n<td width=\"74\">2010<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Geck, Martin<\/td>\n<td width=\"416\">Robert Schumann. Mensch und Musiker der Romantik.<\/td>\n<td width=\"151\">Siedler-Verlag<\/td>\n<td width=\"151\">M\u00fcnchen<\/td>\n<td width=\"74\">2010<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Geck, Martin<\/td>\n<td width=\"416\">Wenn Papageno f\u00fcr Elise einen Feuervogel f\u00e4ngt. Kleine Geschichte der Musik.<\/td>\n<td width=\"151\">Rowohlt-Verlag<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">2006<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Generalblatt f\u00fcr Musik<\/td>\n<td width=\"416\">Henselt-Biographie. Nr. 19 u. Nr. 22.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1884<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Georgii, Walter<\/td>\n<td width=\"416\">Klaviermusik.<\/td>\n<td width=\"151\">Atlantis-Verlag<\/td>\n<td width=\"151\">Z\u00fcrich\/Freibg.<\/td>\n<td width=\"74\">1950<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Gerhardt, Dagobert von (Amyntor, Gerhard von)<\/td>\n<td width=\"416\">Fr\u00fchlingstage bei Adolf Henselt. Eine Jugenderinnerung.In der Novellen-Sammlung: Lenz und Rauhreif. 2. Aufl. 256 S.<\/td>\n<td width=\"151\">G. Mayer<\/td>\n<td width=\"151\">Leipzig-Reudnitz<\/td>\n<td width=\"74\">1887<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Gerhardt, Dagobert von(Amyntor, Gerhard von)<\/td>\n<td width=\"416\">Das Skizzenbuch meines Lebens. Kap.VII: Adolf von Henselt und dessen Sohn Alexander. 3. Aufl., 306 S.<\/td>\n<td width=\"151\">S. Schottlaender<\/td>\n<td width=\"151\">Breslau<\/td>\n<td width=\"74\">1897<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Gliantseva, Natalia (verh. Keil-Zenzerova)<\/td>\n<td width=\"416\">Adolph von Henselt und seine Rolle in der Entwicklung der Kunst des Klavierspiels in Russland.<\/td>\n<td width=\"151\">Facharbeit Maschinenschrift<\/td>\n<td width=\"151\">St. Petersburg<\/td>\n<td width=\"74\">1994<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Gliantseva, Natalia<\/td>\n<td width=\"416\">Henselt in Russland. In: Musica Baltica. Konferenzbericht Greifswald-Gdansk 1993.<\/td>\n<td width=\"151\">E.Ochs\/N.Sch\u00fcler\/L.Winkler<\/td>\n<td width=\"151\">St. Augustin<\/td>\n<td width=\"74\">1996<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Gliantseva, Natalia<\/td>\n<td width=\"416\">Schumann und Henselt. Die Geschichte einer k\u00fcnstlerischen Zusammenarbeit. Kongressbericht.<\/td>\n<td width=\"151\">Vortrag beim 7.Int.Schumann-Symph.<\/td>\n<td width=\"151\">D\u00fcsseldorf<\/td>\n<td width=\"74\">2000<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">G\u00f6hren, Caroline von<\/td>\n<td width=\"416\">Victor und Thora. Roman. Henselt ist auf Gut Maxen zu Gast und bezaubert durch sein Klavierspiel.<\/td>\n<td width=\"151\">Adolph Wienbrack<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1851<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Graham, Daniel Martin<\/td>\n<td width=\"416\">An analytical study of twenty-four etudes byAdolph von Henselt.<\/td>\n<td width=\"151\">Ann Arbor\/MLDissertation<\/td>\n<td width=\"151\">Baltimore, London<\/td>\n<td width=\"74\">19791980<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Gratzer, Wolfgang (Hg.)<\/td>\n<td width=\"416\">W\u00f6rner, Karl und Meierott, Lenz: Geschichte der Musik. Ein Studien- und Nachschlagebuch.<\/td>\n<td width=\"151\">Vandenhoeck &amp; Ruprecht<\/td>\n<td width=\"151\">G\u00f6ttingen<\/td>\n<td width=\"74\">1993<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Green, Andrew<\/td>\n<td width=\"416\">The third man. Adolph von Henselt. Piano 07\/08 2005, S. 12\/13 (englisch, RBD).<\/td>\n<td width=\"151\">The friary Press Dorchester<\/td>\n<td width=\"151\">London<\/td>\n<td width=\"74\">2005<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Grimm, August Theodor v.<\/td>\n<td width=\"416\">Alexandra Feodorowna, Kaiserin von Ru\u00dfland. Band 2.<\/td>\n<td width=\"151\">J. J. Weber<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1866<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Grundmann, Herbert<\/td>\n<td width=\"416\">Beethovens Fingers\u00e4tze. In: Studien zum Klavierspiel Beethovens und seiner Zeitgenossen.<\/td>\n<td width=\"151\">Paul Mies<\/td>\n<td width=\"151\">Bonn<\/td>\n<td width=\"74\">1970<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Haeckel, Olga von<\/td>\n<td width=\"416\">Meine Erinnerungen an Adolph Henselt. (Zum 100. Geburtstag des Meisters). Neue Musik-Zeitung, 35. Jg.<\/td>\n<td width=\"151\">Karl Gr\u00fcninger<\/td>\n<td width=\"151\">Stuttgart\/Leipzig<\/td>\n<td width=\"74\">1914<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Hanslick, Eduard<\/td>\n<td width=\"416\">Aus dem Concertsaal. Kritiken und Schilderungen aus den letzten 20 Jahren des Wiener Musiklebens.<\/td>\n<td width=\"151\">Braum\u00fcller<\/td>\n<td width=\"151\">Wien<\/td>\n<td width=\"74\">1869<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Hanslick, Eduard<\/td>\n<td width=\"416\">Geschichte des Concertwesens in Wien.<\/td>\n<td width=\"151\">Olms-Verlag<\/td>\n<td width=\"151\">Hildesheim<\/td>\n<td width=\"74\">1979<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Hase, Oskar von<\/td>\n<td width=\"416\">Breitkopf &amp; H\u00e4rtel. Gedenkschrift und Arbeitsbericht.<\/td>\n<td width=\"151\">Breitkopf &amp; H\u00e4rtel<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1919<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Heimatverein Maxen (Hg.)<\/td>\n<td width=\"416\">Serres und die K\u00fcnstler. Rund um den Finckenfang. Heft 12, 36 S.<\/td>\n<td width=\"151\">Verlag Niggemann &amp; Simon<\/td>\n<td width=\"151\">M\u00fcglitztal<\/td>\n<td width=\"74\">2009<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Helas, Volker<\/td>\n<td width=\"416\">Die Dresdner Bank in Dresden. Das Bankhaus Kaskel.S. 4-25.<\/td>\n<td width=\"151\">Michel Sandstein Verlag<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Hellmann, Manfred und Eisfeld, Alfred<\/td>\n<td width=\"416\">Tausend Jahre Nachbarschaft. Russland und die Deutschen.<\/td>\n<td width=\"151\">Stiftung OstdeutscherKulturrat Bonn<\/td>\n<td width=\"151\">M\u00fcnchen<\/td>\n<td width=\"74\">1988<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Helm, Johann<\/td>\n<td width=\"416\">Allgemeine Musik- und Harmonielehre. Gottfried L\u00f6he-Verlag, N\u00fcrnberg 1870<\/td>\n<td width=\"151\">Gottfried L\u00f6he Verlag<\/td>\n<td width=\"151\">N\u00fcrnberg<\/td>\n<td width=\"74\">1870<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Henselt, Adolph<\/td>\n<td width=\"416\">Einige Bemerkungen und langj\u00e4hrige Erfahrungen \u00fcber den Klavierunterricht. Als Richtschnur f\u00fcr Lehrer und Sch\u00fcler in den mir anvertrauten Kaiserlichen Instituten und zur Belehrung aller daran Theilnehmenden.<\/td>\n<td width=\"151\">Th. Stellowsky<\/td>\n<td width=\"151\">St. Petersburg<\/td>\n<td width=\"74\">1868<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Henselt, Adolph<\/td>\n<td width=\"416\">In: Breslaur, Emil (Hrsg.), Der Klavierlehrer. Musik-p\u00e4dagogische Zeitschrift \u2013 Organ des Vereins der Musik-Lehrer und Lehrerinnen, 8. Jg., Nr. 19 vom 01.10.1885, Nr. 20 vom 15.10 1885 und Nr. 21 vom 01.11.1885.<\/td>\n<td width=\"151\">Wolf Peiser-Verlag<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1885<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Henselt, Adolph<\/td>\n<td width=\"416\">Fragen der elementaren Musiktheorie im Bereich der Zarin Marie von Adolph Henselt.<\/td>\n<td width=\"151\">A. B\u00fcttner<\/td>\n<td width=\"151\">St. Petersburg<\/td>\n<td width=\"74\">1873<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Henselt, Adolph<\/td>\n<td width=\"416\">Anhang zur Brosch\u00fcre. \u00dcber Klavierunterricht von Adolph Henselt.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">St. Petersburg<\/td>\n<td width=\"74\">1874<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Henselt, Adolph<\/td>\n<td width=\"416\">Die rationale Methode zum Erlernen des Klavierspiels, geschrieben unter Mitwirkung von Herrn A. Henselt und herausgegeben von Josef Ryba. Richtschnur f\u00fcr die Lehranstalten des Amtes der Kaiserin Maria.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Moskau<\/td>\n<td width=\"74\">1879<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Henselt, Adolph<\/td>\n<td width=\"416\">Meine ersten Erinnerungen. Manuskript.<\/td>\n<td width=\"151\">Heinrich-Heine-Institut D\u00fcsseldorf<\/td>\n<td width=\"151\">&#8212;<\/td>\n<td width=\"74\">ca. 1850<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Herold, Marie-Luise<\/td>\n<td width=\"416\">Untersuchungen zum Schaffen Adolph von Henselts.<\/td>\n<td width=\"151\">Facharbeit<\/td>\n<td width=\"151\">Hamburg<\/td>\n<td width=\"74\">1975<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Herresthal, Harald<\/td>\n<td width=\"416\">Carl Arnold (1794-1873).<\/td>\n<td width=\"151\">Florian Noetzel-Verl.<\/td>\n<td width=\"151\">Wilhelmshaven<\/td>\n<td width=\"74\">1993<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Herrmann-Schneider,<br \/>\nHildegard<\/td>\n<td width=\"416\">Die Musikhandschriften der St. Michaelskirche in M\u00fcnchen.<\/td>\n<td width=\"151\">Henle-Verlag<\/td>\n<td width=\"151\">M\u00fcnchen<\/td>\n<td width=\"74\">1985<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Herzfeld, Friedrich<\/td>\n<td width=\"416\">Das Lexikon der Musik (Henselt). Ullstein-Verlag, Frankfurt am Main 1967.<\/td>\n<td width=\"151\">Ullstein-Verlag<\/td>\n<td width=\"151\">Frankfurt am Main<\/td>\n<td width=\"74\">1967<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Hess, Gunther<\/td>\n<td width=\"416\">Kleinod Schwabach. Mit einem Beitrag \u00fcber Adolph Henselt.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">2006<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Hiemke, Sven (Hg.)<\/td>\n<td width=\"416\">Beethoven Handbuch.<\/td>\n<td width=\"151\">B\u00e4renreiter\/Metzler<\/td>\n<td width=\"151\">Kassel\/Stuttgart<\/td>\n<td width=\"74\">2009<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Hinrichsen, Hans-Joachim<\/td>\n<td width=\"416\">Musikalische Interpretation: Hans von B\u00fclow.<\/td>\n<td width=\"151\">Franz Steiner-Verlag<\/td>\n<td width=\"151\">Stuttgart<\/td>\n<td width=\"74\">1999<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Hirschbach, Herrmann (Hg.)<\/td>\n<td width=\"416\">Repertorium f\u00fcr Musik. Zweiter Jahrgang, Nr. 1 bis 36, 409 S. (Internet).<\/td>\n<td width=\"151\">Whistling<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1845<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Hofmann, Stefan<\/td>\n<td width=\"416\">Adolph Henselt (1814-1889). Leben und Werk.<\/td>\n<td width=\"151\">ExamensarbeitMaschinenschrift<\/td>\n<td width=\"151\">W\u00fcrzburg<\/td>\n<td width=\"74\">1992<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Hofmann, Stefan<\/td>\n<td width=\"416\">Adolph Henselt (1814-1889). In: Die Musik in Geschichte und Gegenwart. Personenteil 8.<\/td>\n<td width=\"151\">B\u00e4renreiter<\/td>\n<td width=\"151\">Kassel, BaselLondon<\/td>\n<td width=\"74\">1998<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Hofmann, Stefan<\/td>\n<td width=\"416\">Bemerkungen zu Henselts Kompositionsstil.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Hofmeister, Friedrich<\/td>\n<td width=\"416\">Musikalisch-literarischer Monatsberichte. Henselt-Werke von 1830 bis 1899. Aus: Hofmeister XIX (Internet).<\/td>\n<td width=\"151\">&#8212;<\/td>\n<td width=\"151\">www<\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Hohmann, Christian Heinrich<\/td>\n<td width=\"416\">Lehrbuch der musikalischen Composition, 1. Theil Harmonie- und Generalba\u00dflehre. 3. Aufl., 488 S.<\/td>\n<td width=\"151\">Hessel-Verlag<\/td>\n<td width=\"151\">Altdorf<\/td>\n<td width=\"74\">1859<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Holzbauer, Hermann (Hg.)<\/td>\n<td width=\"416\">In T\u00f6nen atmen. Ausstellungskatalog zum 100. Todestag von Clara Wieck-Schumann, Band 3.<\/td>\n<td width=\"151\">Uni-Bibliothek<\/td>\n<td width=\"151\">Eichst\u00e4tt<\/td>\n<td width=\"74\">1996<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Huber, M.<\/td>\n<td width=\"416\">Abb\u00e9 Vogler, der Phantast auf der Orgel. Bd. 23, Nr. 2.<\/td>\n<td width=\"151\">Musik im Gottesdienst<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1969<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">H\u00fcsken, Renate<\/td>\n<td width=\"416\">Ella Adaiewsky (1846-1926). Eine Sch\u00fclerin Henselts.S. 255 ff.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">H\u00fcsken, Renate<\/td>\n<td width=\"416\">Ella Adajewsky (1846-1926). Pianistin \u2013 Komponistin \u2013 Musikwissenschaftlerin. 435 S.<\/td>\n<td width=\"151\">Verlag-Dohr<\/td>\n<td width=\"151\">K\u00f6ln<\/td>\n<td width=\"74\">2005<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Hummel, Joh. Nepomuk<\/td>\n<td width=\"416\">Ausf\u00fchrliche Anweisung zum Pianofortespiel von der ersten Stunde bis zur Vollendung.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1831<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Jansen, Friedrich Gustav<\/td>\n<td width=\"416\">Die Davidsb\u00fcndler. Aus Robert Schumanns Sturm- u. Drangperiode.<\/td>\n<td width=\"151\">Breitkopf &amp; H\u00e4rtel<br \/>\nDr. M. S\u00e4ndig<\/td>\n<td width=\"151\">Leipzig<br \/>\nWalluf \/ Wiesb.<\/td>\n<td width=\"74\">1883<br \/>\n1973<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Jansen, Friedrich Gustav<\/td>\n<td width=\"416\">Robert Schumanns Briefe. Neue Folge. Nachdruck.<\/td>\n<td width=\"151\">F. G. Jansen<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1904<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Jena, Detlef<\/td>\n<td width=\"416\">Katharina Pawlowna. Gro\u00dff\u00fcrstin von Russland \u2013 K\u00f6nigin von W\u00fcrttemberg.<\/td>\n<td width=\"151\">Pustet-Verlag<\/td>\n<td width=\"151\">Regensburg<\/td>\n<td width=\"74\">2003<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Jeschek, Randolf<\/td>\n<td width=\"416\">Die Max-Reger-Sammlung im Stadtarchiv Weiden i. d. Opf.<\/td>\n<td width=\"151\">Carus-Verlag<\/td>\n<td width=\"151\">Stuttgart<\/td>\n<td width=\"74\">2007<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Jung, Hans Rudolf<\/td>\n<td width=\"416\">Schriftenreihe der Hochschule f\u00fcr Musik \u201eFranz Liszt\u201c Weimar, Band 1: Bericht der wissenschaftl. Konferenz aus Anlass des 200. Geburtstages J. N. Hummels am 18.11.1978 in Weimar, 120 S.<\/td>\n<td width=\"151\">Druckhaus Weimar<\/td>\n<td width=\"151\">Weimar<\/td>\n<td width=\"74\">1978<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kahlert, August<\/td>\n<td width=\"416\">Adolph Henselt und das moderne Clavierspiel.<\/td>\n<td width=\"151\">Caecilia 20<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1839<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kapp, Julius<\/td>\n<td width=\"416\">Franz Liszt.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Berlin\/Leipzig<\/td>\n<td width=\"74\">1909<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kapp, Julius<\/td>\n<td width=\"416\">Erinnerungen an Adolph Henselt, nach Angaben von Laura Rappoldi-Kahrer und 18 unver\u00f6ffentlichten Briefen Henselts.<\/td>\n<td width=\"151\">Die Musik, 9. Jg.Heft 20.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1909<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kaskel, Joachim Felix<\/td>\n<td width=\"416\">Philippine Kaskel. Bankchefin vor rund 200 Jahren. WIR, Zeitung der Dresdner Bank AG, 52. Ausgabe, 1975, S. 34.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Dresden<\/td>\n<td width=\"74\">1975<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kaskel, Joachim Felix<\/td>\n<td width=\"416\">Bankhaus Michael Kaskel &#8211; Keimzelle der Dresdner Bank. Zeitschrift f\u00fcr das gesamte Kreditwesen.<\/td>\n<td width=\"151\">Fritz Knapp Verlag<\/td>\n<td width=\"151\">Frankfurt am Main<\/td>\n<td width=\"74\">1984<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Keil, Klaus<\/td>\n<td width=\"416\">Adolf Henselts Briefnachlass. Versuch einer Bestandsaufnahme.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Keil-Zenzerova, Natalia<\/td>\n<td width=\"416\">Leben und Wirken Adolph Henselts in Russland. Ergebnisse neuer Quellenfunde.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Keil-Zenzerova, Natalia<\/td>\n<td width=\"416\">Adolph von Henselt. Ein Leben f\u00fcr die Klavierp\u00e4dagogik in Ru\u00dfland. Dissertation Chemnitz 2004.<\/td>\n<td width=\"151\">Peter Lang Verlag<\/td>\n<td width=\"151\">Frankfurt am Main<\/td>\n<td width=\"74\">2007<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Keller, Otto<\/td>\n<td width=\"416\">Geschichte der Musik. Gebr\u00fcder Paetel, Berlin 1928<\/td>\n<td width=\"151\">Gebr\u00fcder Paetel<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1928<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kindl, Gebhard<\/td>\n<td width=\"416\">Adolph von Henselt (1814-1889). Lebensdaten des virtuosen Pianisten, begabten Komponisten und richtungsweisenden Klavierp\u00e4dagogen. 7 S.<\/td>\n<td width=\"151\">&#8212;<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">2005<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kindl, Gebhard<\/td>\n<td width=\"416\">Adolph von Henselts Memoiren \u201eMeine ersten Erinnerungen\u201c. Schriftenreihe des Stadtmuseums Schwabach, Band VII, 80 S.<\/td>\n<td width=\"151\">Hermann Millizer<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">2007<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kindl, Gebhard<\/td>\n<td width=\"416\">Adolph von Henselts Briefe. Erstausgabe des im Henselt-Archiv des Stadtmuseums Schwabach gesammelten Briefwechsels von Adolph und Rosalie von Henselt. Transliteriert von Gebhard und Ursula Kindl, Schwabach. Schriftenreihe des Stadtmuseums Schwabach, Bd. VIII, 676 S.<\/td>\n<td width=\"151\">Hermann Millizer<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">2010<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kindl, Gebhard<\/td>\n<td width=\"416\">Laura Rappoldi-Kahrer. Autobiographisches aus dem Brief an Marie Lipsius vom 14.03.1881. Transliteriert von Gebhard und Ursula Kindl, Schwabach. Schriftenreihe des Stadtmuseums Schwabach, Band IX.<\/td>\n<td width=\"151\">Selbstdruck, 32 S.(vergriffen)<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">2010<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kindl, Gebhard<\/td>\n<td width=\"416\">Adolph von Henselt (1814-1889). Chronologie eines faszinierenden Lebens.<\/td>\n<td width=\"151\">Hermann Millizer<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">2014<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kleinschmidt, Arthur<\/td>\n<td width=\"416\">Russlands Geschichte und Politik dargestellt in der Geschichte des Russischen Hohen Adels. 560 S.<\/td>\n<td width=\"151\">Kay-VerlagReprint Elibron<\/td>\n<td width=\"151\">Cassel&#8211;<\/td>\n<td width=\"74\">18772006<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Knepler, Georg<\/td>\n<td width=\"416\">Musikgeschichte des 19. Jahrhunderts.<\/td>\n<td width=\"151\">Henschel-Verlag<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1961<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kneschke, Emil<\/td>\n<td width=\"416\">Zur Geschichte des Theaters und der Musik in Leipzig.<\/td>\n<td width=\"151\">Verlag Fleischer<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1864<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Knoellinger, Friedrich<\/td>\n<td width=\"416\">Adolph von Henselt. Lebenslauf und Werke. Festvortrag.<\/td>\n<td width=\"151\">unver\u00f6ffentlicht (stenographiert)<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1935<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Knorr, Julius<\/td>\n<td width=\"416\">F\u00fchrer auf dem Felde der Clavierunterrichts-Literatur.<\/td>\n<td width=\"151\">Verlag Kahnt<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1861<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Koch, Klaus-PeterBrusniak, Friedhelm<\/td>\n<td width=\"416\">Carl Drube \u2013 Ein Arolser Musiker in den 1860er bis 1880er Jahren in Riga und Moskau.<\/td>\n<td width=\"151\">Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2000<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Koch, Klaus-Peter<\/td>\n<td width=\"416\">Henselt war nicht allein.Deutsche Musiker in St. Petersburg.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Koch, Klaus-Peter<\/td>\n<td width=\"416\">Deutsche Musiker in St. Petersburg und Moskau. In: Heike M\u00fcns (Hg.), Musik und Migration in Ostmitteleuropa.<\/td>\n<td width=\"151\">Oldenbourg-Verlag<\/td>\n<td width=\"151\">M\u00fcnchen<\/td>\n<td width=\"74\">2005<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">K\u00f6ckritz, Cathleen<\/td>\n<td width=\"416\">Friedrich Wieck. Studie zur Biographie und zur Klavierp\u00e4dagogik. 609 S.<\/td>\n<td width=\"151\">Olms-Verlag<\/td>\n<td width=\"151\">Hildesheim<\/td>\n<td width=\"74\">2007<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">K\u00f6hler, Louis (Hg.)<\/td>\n<td width=\"416\">Der Klavierunterricht. Studien, Erfahrunge und Rathschl\u00e4ge.<\/td>\n<td width=\"151\">J. J. Weber<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1860<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">K\u00f6hler, Louis<\/td>\n<td width=\"416\">F\u00fchrer durch den Clavierunterricht.<\/td>\n<td width=\"151\">Schuberth &amp; Co.<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1865<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kohut, Adolph<\/td>\n<td width=\"416\">Friedrich Wieck. Ein Lebens- und K\u00fcnstlerbild.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Dresden<\/td>\n<td width=\"74\">1888<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Koolmann, Egbert (Hg.)<\/td>\n<td width=\"416\">Das Haus Oldenburg in Russland. Oldenburger Forschungen. Neue Folge Band 11.<\/td>\n<td width=\"151\">Isensee-Verlag<\/td>\n<td width=\"151\">Oldenburg<\/td>\n<td width=\"74\">2000<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Korlop, G.<\/td>\n<td width=\"416\">A. Henselt nach seinen Erinnerungen gezeichnet.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kossak, Ernst<\/td>\n<td width=\"416\">Berliner Federzeichnungen. Band 4.<\/td>\n<td width=\"151\">Otto Janke<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1863<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kral, Eduard<\/td>\n<td width=\"416\">Taschenbuch f\u00fcr deutsche S\u00e4nger.<\/td>\n<td width=\"151\">Friedhelm Brusniak<br \/>\nDietmar Klenke<\/td>\n<td width=\"151\">Wien<br \/>\nSchillingsf\u00fcrst<\/td>\n<td width=\"74\">1884<br \/>\n1996<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Krau\u00df, Heinrich (Hg.)<\/td>\n<td width=\"416\">Henselt-Erinnerungen. In: Die Heimat in Kunst und Dichtung, Mappenbl\u00e4tter von Heinrich Krau\u00df, Heimatbl\u00e4tter als Sonderbeilage zum Schwabacher Tagblatt, Nr. 19 bis Nr. 26.<\/td>\n<td width=\"151\">Schwabacher Tagblatt<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1922<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Krau\u00df, Heinrich (Hg.)<\/td>\n<td width=\"416\">Heimat-Sammelmappe. Darin: Adolph von Henselt und sein Sohn Alexander, aus \u201eDas Skizzenbuch meines Lebens\u201c von Gerhard von Amyntor.<\/td>\n<td width=\"151\">Hermann Millizer<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1923-1924<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Krau\u00df, Heinrich<\/td>\n<td width=\"416\">\u201eAuf einen Klavierspieler\u201c. Gedicht von E. M\u00f6ricke.Die Heimat. Nr. 13. Beilage zum Schwabacher Tagblatt.<\/td>\n<td width=\"151\">Schwabacher Tagblatt<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1930<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Krau\u00df, Heinrich (Hg.)<\/td>\n<td width=\"416\">Henselts Geburtsort und GeburtstagIn: Schwabach \u2013 Stadt und Kreis. 5. Folge, S. 646 ff.<\/td>\n<td width=\"151\">Hermann Millizer<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1940<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Krau\u00df, Heinrich<\/td>\n<td width=\"416\">Ein deutscher Altmeister der Tonkunst.HenseltIn: Schwabach \u2013 Stadt und Kreis. 5. Folge, S. 577 ff.<\/td>\n<td width=\"151\">Hermann Millizer<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1940<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kreisig, Martin<\/td>\n<td width=\"416\">Schenkung f\u00fcr das Schumann-Museum. Erwin Banck.Wichtige Briefe Adolph von Henselts.<\/td>\n<td width=\"151\">Zwickauer Zeitung<\/td>\n<td width=\"151\">Zwickau<\/td>\n<td width=\"74\">1930<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kreisig, Martin (Hg.)<\/td>\n<td width=\"416\">Robert Schumann. Gesammelte Schriften \u00fcber Musik und Musiker. 2 B\u00e4nde, 5. Auflage.<\/td>\n<td width=\"151\">Breitkopf &amp; H\u00e4rtel<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1914<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kretzmann, Eduard<\/td>\n<td width=\"416\">Anton Rubinstein. Erinnerungen aus 50 Jahren. 1839-1889.<\/td>\n<td width=\"151\">Aus dem Russisch. Eduard Kretzmann<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1895<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kullak, Adolph&nbsp;<\/td>\n<td width=\"416\">\u00c4sthetik des Klavierspiels. Band 1, 388 S.<\/td>\n<td width=\"151\">Guttentag-VerlagReprint ConBrio<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">18761994<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kunicki, Wojciech<\/td>\n<td width=\"416\">Adolph Henselt als literarische Gestalt im Werk von Gerhard von Amyntor.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kunz, Konrad Max<\/td>\n<td width=\"416\">Praktische Pianoforteschule f\u00fcr den allerersten Anfang.<\/td>\n<td width=\"151\">Finsterlin-Verlag<\/td>\n<td width=\"151\">M\u00fcnchen<\/td>\n<td width=\"74\">1840<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Kutzsche, Sandra und Dippert, Wolfgang<\/td>\n<td width=\"416\">Schwabach und Henselt. Historischer Kontext und kulturelle Perspektive: Die Zeit 1813-1817.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">La Mara (Marie Lipsius)<\/td>\n<td width=\"416\">Musikalische Studienk\u00f6pfe, Band 3, J\u00fcngstvergangenheit und Gegenwart (Moscheles, David, Henselt, Franz, Rubinstein, Brahms und Tausig). 328 S., EA 1875.<\/td>\n<td width=\"151\">Heinrich Schmidt undCarl G\u00fcnther-Verlag<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">18835. Aufl.<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">La Mara (Marie Lipsius)<\/td>\n<td width=\"416\">Klassisches und Romantisches aus der Tonwelt. Kap.: Zur Erinnerung an Adolph Henselt. Mit Briefen von ihm und an ihn. Buch entstand im Mai 1890.<\/td>\n<td width=\"151\">Breitkopf &amp; H\u00e4rtel<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1892<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">La Mara (Marie Lipsius)<\/td>\n<td width=\"416\">Franz Liszts Briefe.Bd. 1. Von Paris bis Rom, 399 S. Bd. 2. Von Rom bis ans Ende, 421 S.Bd. 3. Briefe an eine Freundin, 223 S.<\/td>\n<td width=\"151\">Breitkopf &amp; H\u00e4rtelReprint ElibronReprint ElibronReprint Elibron<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1893200520062005<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">La Mara (Marie Lipsius)<\/td>\n<td width=\"416\">Briefe hervorragender Zeitgenossen an Franz Liszt,Bd. 1 (1824-1854), 367 S. Bd. 2 (1854-1887), 377 S.<\/td>\n<td width=\"151\">Breitkopf &amp; H\u00e4rtelReprint Elibron<\/td>\n<td width=\"151\">Leipzig&#8211;<\/td>\n<td width=\"74\">18952005<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">La Mara (Marie Lipsius)<\/td>\n<td width=\"416\">Adolph Henselt. Neubearbeiteter Einzeldruck aus den Musikalischen Studienk\u00f6pfen. 55 S.<\/td>\n<td width=\"151\">Breitkopf &amp; H\u00e4rtel8. Auflage<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1911<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">La Mara (Marie Lipsius)<\/td>\n<td width=\"416\">Adolph Henselt. Neubearbeiteter Einzeldruck aus den Musikalischen Studienk\u00f6pfen. 48 S.<\/td>\n<td width=\"151\">Breitkopf &amp; H\u00e4rtel9. Auflage<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1919<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Laux, Karl<\/td>\n<td width=\"416\">Die Musik in Russland und in der Sowjetunion.<\/td>\n<td width=\"151\">Henschel-Verlag<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1858<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Laux, Karl<\/td>\n<td width=\"416\">Carl Maria von Weber. Leipzig 1978 (3. Aufl. 1989).<\/td>\n<td width=\"151\">VEB Deutscher Verlag f\u00fcr Musik<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1989<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Lebert, Sigmund<br \/>\nStark, Ludwig<\/td>\n<td width=\"416\">Gro\u00dfe theoretisch-praktische Clavierschule. Adolph Henselt, Neue Spielarten und Claviereffekte, S. 128.<\/td>\n<td width=\"151\">Verlag Cotta<\/td>\n<td width=\"151\">Stuttgart<\/td>\n<td width=\"74\">1863<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Ledebur, Carl von<\/td>\n<td width=\"416\">Tonk\u00fcnstler-Lexikon Berlins von den \u00e4ltesten Zeiten bis auf die Gegenwart.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1861<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Lenz, Wilhelm von<\/td>\n<td width=\"416\">Der Beethoven. Eine Kunststudie.<\/td>\n<td width=\"151\">Verlag Balde<\/td>\n<td width=\"151\">Cassel<\/td>\n<td width=\"74\">1855<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Lenz, Wilhelm von<\/td>\n<td width=\"416\">Die gro\u00dfen Pianoforte-Virtuosen unserer Zeit aus per-s\u00f6nlicher Bekanntschaft: Liszt, Chopin, Tausig, Henselt.<\/td>\n<td width=\"151\">B. Behr (E. Bock)Staccato-Verlag<\/td>\n<td width=\"151\">Berlin D\u00fcsseldorf<\/td>\n<td width=\"74\">18722000<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Lepel, Felix von<\/td>\n<td width=\"416\">Memoiren von Laura Rappoldi-Kahrer.<\/td>\n<td width=\"151\">Nitzsche-Verlag<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1929<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Lewenthal, Raymond<\/td>\n<td width=\"416\">Piano Concerto in F Minor op. 2 (op.16).<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">New York<\/td>\n<td width=\"74\">1971<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Lewenthal, Raymond<\/td>\n<td width=\"416\">Henselt \u2013 a look at a fantastic Romanticist.<\/td>\n<td width=\"151\">Clavier, Vol.13<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1974<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Lindeman, Steve<\/td>\n<td width=\"416\">\u201eI have but given proof that I might have been a composer.\u201c A formal analysis of Henselt\u2019s concerto for piano and orchestra in f-minor, op.16.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Lipowsky, Felix Joseph<\/td>\n<td width=\"416\">Baierisches Musik-Lexikon.<\/td>\n<td width=\"151\">Olms-Verlag<\/td>\n<td width=\"151\">Hildesheim<\/td>\n<td width=\"74\">1982<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Litzmann, Berthold<\/td>\n<td width=\"416\">Clara Schumann, ein K\u00fcnstlerleben. 3 B\u00e4nde.<\/td>\n<td width=\"151\">Breitkopf &amp; H\u00e4rtel<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1902<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Litzmann, Berthold<\/td>\n<td width=\"416\">Erinnerungen aus alter Zeit.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1906<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Lo\u0451, Didi (Hg.)<\/td>\n<td width=\"416\">Adolph Henselt \u2013 Brevier.<\/td>\n<td width=\"151\">Breitkopf &amp; H\u00e4rtel<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1919<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Lomtev, Denis<\/td>\n<td width=\"416\">Deutsche Musiker in Russland. Russ. Konservatorien.<\/td>\n<td width=\"151\">IME 6\/ Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2002<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Lomtev, Denis<\/td>\n<td width=\"416\">Der Anteil der Deutschen an der Entstehung der russischen Klavierkultur bis zum Eintreffen Henselts in St. Petersburg.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">L\u00f3pez, Sonja Alejandra<\/td>\n<td width=\"416\">In T\u00f6nen atmen. Katalog zur Ausstellung zum 100. Todestag von Clara Wieck-Schumann. 102 S., m. Abb.<\/td>\n<td width=\"151\">Universit\u00e4tsbibliothek<\/td>\n<td width=\"151\">Eichst\u00e4tt<\/td>\n<td width=\"74\">1996<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Lossewa, Olga<\/td>\n<td width=\"416\">Die Russlandreise Clara und Robert Schumanns (1844). In: Schumann Forschungen, Bd. 8.<\/td>\n<td width=\"151\">Schott-Verlag<\/td>\n<td width=\"151\">Mainz u. a.<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">L\u00fctgendorf, Willibald Leo<br \/>\nFreiherr von<\/td>\n<td width=\"416\">Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Frankfurt\/Main<\/td>\n<td width=\"74\">1922<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Lutsch, Hans<\/td>\n<td width=\"416\">Die Kunstdenkm\u00e4ler des Regierungsbez. Liegnitz.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Breslau<\/td>\n<td width=\"74\">1891<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Maak, Anna-Maria<\/td>\n<td width=\"416\">Adolph Henselt und seine Klavierp\u00e4dagogik. Diplomarbeit.<\/td>\n<td width=\"151\">&#8212;<\/td>\n<td width=\"151\">M\u00fcnster<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Mangold, Alice<\/td>\n<td width=\"416\">Siehe: Diehl, Alice<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Markus, Jordan Kajetan<\/td>\n<td width=\"416\">Simon Sechter. Biographisches Denkmal. Deutsche B\u00f6hmerwaldbund, Gruppe \u201eWien\u201c (Hg.).<\/td>\n<td width=\"151\">Verlag H\u00f6lder<\/td>\n<td width=\"151\">Wien<\/td>\n<td width=\"74\">1888<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Martin, Rudolf<\/td>\n<td width=\"416\">Jahrbuch der Million\u00e4re im K\u00f6nigreich Sachsen. S. 206 ff.<\/td>\n<td width=\"151\">Rudolf Martin<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1912<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">May, Florence<\/td>\n<td width=\"416\">The Girlhood of Clara Schumann (Clara Wieck and Her Time)<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">London<\/td>\n<td width=\"74\">1912<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Meltser-Chafran, Irina<\/td>\n<td width=\"416\">Der Klavierp\u00e4dagoge Nikolaj Sergeevic Zverev (1832-1893).<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Mendel, Hermann (Hg.)<\/td>\n<td width=\"416\">Musikalisches Conversationslexicon. 12 B\u00e4nde.<\/td>\n<td width=\"151\">Robert Oppenheim<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1872<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Mendelssohn Bartholdy, Paul (Hg.)<\/td>\n<td width=\"416\">Felix Mendelssohn-Bartholdy. Briefe, 2 B\u00e4nde. Bd. 1 (1830-1832), Bd. 2 (1833-1847).<\/td>\n<td width=\"151\">Hermann Mendelssohn Faksimile-Druck<\/td>\n<td width=\"151\">Leipzig Potsdam<\/td>\n<td width=\"74\">18611997<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Michel, Paul<\/td>\n<td width=\"416\">Johann Nepomuk Hummels Sch\u00fclerkreis. In: Bericht der wissenschaftl. Konferenz zum 200. Geburtstag von J. N. Hummel am 18.11.1978. Hg.: Festkomitee.<\/td>\n<td width=\"151\">Druckhaus Weimar<\/td>\n<td width=\"151\">Weimar<\/td>\n<td width=\"74\">1978<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Mies, Paul<\/td>\n<td width=\"416\">Beethovens Fingers\u00e4tze. In: Studien zum Klavierspiel Beethovens und seiner Zeitgenossen.<\/td>\n<td width=\"151\">Herbert Grundmann<\/td>\n<td width=\"151\">Bonn<\/td>\n<td width=\"74\">1970<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Mooser, R.-Aloys<\/td>\n<td width=\"416\">Annales de la musique et des musiciens en Russie au XVIIIme si\u00e8cle. 3 B\u00e4nde.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Gen\u00e8ve<\/td>\n<td width=\"74\">1948<br \/>\n1951<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Moser, H. J.<\/td>\n<td width=\"416\">Musik-Lexikon.<\/td>\n<td width=\"151\">Max Hesse<\/td>\n<td width=\"151\">Berlin-Sch\u00f6neberg<\/td>\n<td width=\"74\">1935<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">M\u00fcnnich, Richard<\/td>\n<td width=\"416\">Aus Robert Schumanns Briefen und Schriften.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Weimar<\/td>\n<td width=\"74\">1956<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Mundus, Doris (Hrsg.)<\/td>\n<td width=\"416\">Carl Reinecke. Erlebnisse und Bekenntnisse. Autobiographie eines Gewandhauskapellmeisters.<\/td>\n<td width=\"151\">Lehmstedt-Verlag<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">2005<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Nauhaus, Gerd (Hg.)<\/td>\n<td width=\"416\">Robert Schumann. Tageb\u00fccher, Bd. 1 (1827-1838), Leipzig 1971, Bd. 2 (1836-1854), Leipzig 1987, Bd. 3 Haushaltb\u00fccher (1837-1856), Leipzig 1982.<\/td>\n<td width=\"151\">VEB<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">versch.<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Niecks, F.<\/td>\n<td width=\"416\">Adolph Henselt as a man, composer and teacher.<\/td>\n<td width=\"151\">Monthly Mus. Rec.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1914<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Niecks, F.<\/td>\n<td width=\"416\">Robert Schumann.<\/td>\n<td width=\"151\">Christina Niecks \/J.M.Dent &amp; Sons<\/td>\n<td width=\"151\">London \/Toronto<\/td>\n<td width=\"74\">1925<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Niemann, Walter<\/td>\n<td width=\"416\">Klavier-Lexikon. 3. Auflage.<\/td>\n<td width=\"151\">C. F. Kahnt<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1917<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Niem\u00f6ller, Klaus Wolfgang<br \/>\nKoch, Klaus-Peter (Hg.) Siehe auch: Schiwietz<\/td>\n<td width=\"416\">Heinrich Neuhaus (1888-1964) zum 110. Geburtsjahr. Aspekte interkultureller Beziehung in Pianistik und Musikgeschichte zwischen dem \u00f6stlichen Europa und Deutschland. Konferenzbericht K\u00f6ln 23.-26.10.1998.<\/td>\n<td width=\"151\">Studio-Verlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2000<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Oehlmann,Werner (Hg.)<\/td>\n<td width=\"416\">Reclams Klaviermusikf\u00fchrer. Band 2.<\/td>\n<td width=\"151\">Reclam-Verlag<\/td>\n<td width=\"151\">Stuttgart<\/td>\n<td width=\"74\">1967<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Paul, Ernst<\/td>\n<td width=\"416\">Adolph Henselt. Gedenkworte zum 100. Geburtstag. 6 S.<\/td>\n<td width=\"151\">Konservatoriums-Bericht<\/td>\n<td width=\"151\">Dresden<\/td>\n<td width=\"74\">1914<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Pazdirek, Franz<\/td>\n<td width=\"416\">Universalhandbuch der Musikliteratur. Henselt: Vol. V.<\/td>\n<td width=\"151\">Wien 1904-1910<\/td>\n<td width=\"151\">Hilversum<\/td>\n<td width=\"74\">1967<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Pelz, Eduard<\/td>\n<td width=\"416\">Petersburger Skizzen. Band 3.<\/td>\n<td width=\"151\">Verlag Weber<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1842<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Journalist NN<\/td>\n<td width=\"416\">Das Henselt-Jubil\u00e4um in St. Petersburg (25-j\u00e4hriges Dienstjubil\u00e4um am 12.\/24.05.1883).<\/td>\n<td width=\"151\">Original im Stadtmuseum<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1883<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Puchelt, Gerhardt<\/td>\n<td width=\"416\">Verlorene Kl\u00e4nge. (Studien zur deutschen Klaviermusik 1830-1880).<\/td>\n<td width=\"151\">Robert Lienau<\/td>\n<td width=\"151\">Berlin-Lichterfelde<\/td>\n<td width=\"74\">1969<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Puchelt, Gerhardt<\/td>\n<td width=\"416\">Variationen f\u00fcr Klavier im 19. Jahrhundert.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Hildesheim<\/td>\n<td width=\"74\">1973<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Pusch, Alk<\/td>\n<td width=\"416\">Adolph Henselts Rittergut in Gersdorf.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Ramann, Lina<\/td>\n<td width=\"416\">Franz Liszt. 6 B\u00e4nde., hier Band 2.<\/td>\n<td width=\"151\">Breitkopf &amp; H\u00e4rtel<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1883<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Rappoldi-Kahrer, Laura<\/td>\n<td width=\"416\">Memoiren.<\/td>\n<td width=\"151\">Felix von Lepel<\/td>\n<td width=\"151\">Dresden<\/td>\n<td width=\"74\">1929<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Redepenning, Dorothea<\/td>\n<td width=\"416\">Geschichte der russischen und der sowjetischen Musik.2 B\u00e4nde.<\/td>\n<td width=\"151\">Laaber-Verlag<\/td>\n<td width=\"151\">Laaber<\/td>\n<td width=\"74\">2008<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Rehberg, Paula<\/td>\n<td width=\"416\">Franz Liszt. Die Geschichte seines Lebens, Schaffens und Wirkens. Artemis-Verlag, Z\u00fcrich 1961.<\/td>\n<td width=\"151\">Artemis-Verlag<\/td>\n<td width=\"151\">Z\u00fcrich<\/td>\n<td width=\"74\">1961<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Reimann, Heinrich<\/td>\n<td width=\"416\">Robert Schumanns Leben und Werke. EA 1887.<\/td>\n<td width=\"151\">Verlag Dogma<\/td>\n<td width=\"151\">Bremen<\/td>\n<td width=\"74\">2012<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Richter, Alfred<\/td>\n<td width=\"416\">Aus Leipzigs musikalischer Glanzzeit. Erinnerungen eines Musikers, 479 S. m. Abb.<\/td>\n<td width=\"151\">Lehmstedt-Verlag<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Riemann, Hugo<\/td>\n<td width=\"416\">Katechismus der Harmonielehre, Band 15 von Max Hesses illustrierte Katechismen. 156 S.<\/td>\n<td width=\"151\">Hesse-Verlag<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1890<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Riemerschmidt, Ulrich<\/td>\n<td width=\"416\">Brevier f\u00fcr Musikfreunde. Heiteres und Besinnliches aus dem Leben und Schaffen gro\u00dfer Komponisten.<\/td>\n<td width=\"151\">Gondrom-Verlag<\/td>\n<td width=\"151\">Bayreuth<\/td>\n<td width=\"74\">1981<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Rojzman, Leonid I.<\/td>\n<td width=\"416\">Die Orgel in der Geschichte der russischen Musikkultur.<\/td>\n<td width=\"151\">Hg.: Martin Balz<\/td>\n<td width=\"151\">Mettlach<\/td>\n<td width=\"74\">2001<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Rubinstein, Anton G.<\/td>\n<td width=\"416\">Literarischer Nachlass in drei B\u00e4nden. Band 3.<\/td>\n<td width=\"151\">Lev A. Barenbojm<\/td>\n<td width=\"151\">Leningrad<\/td>\n<td width=\"74\">1986<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Rudolph, Moritz<\/td>\n<td width=\"416\">Rigaer Theater- und Tonk\u00fcnstler-Lexikon.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Riga<\/td>\n<td width=\"74\">1890<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Ruiz, Alain<\/td>\n<td width=\"416\">Heymann (Chaim) Salomon Pappenheimer, Edler von Kerstorf (1769-1832), in: Geschichte und Kultur der Juden in Bayern. Lebensl\u00e4ufe.<\/td>\n<td width=\"151\">Hg.: Manfred Treml und Wolf Weigand<\/td>\n<td width=\"151\">M\u00fcnchen<\/td>\n<td width=\"74\">1988<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">S\u00e4chsische Landesstelle f\u00fcr Museumswesen<\/td>\n<td width=\"416\">S\u00e4chsische Museen, Band 9, Musikinstrumenten-Museum Markneukirchen. 112 S.<\/td>\n<td width=\"151\">Deutscher Kunstverlag<\/td>\n<td width=\"151\">M\u00fcnchen und Berlin<\/td>\n<td width=\"74\">2000<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">S\u00e4chsische Landesstelle f\u00fcr Museumswesen<\/td>\n<td width=\"416\">S\u00e4chsische Museen, Band 11, Robert-Schumann-Haus Zwickau. 131 S.<\/td>\n<td width=\"151\">Deutscher Kunstverlag<\/td>\n<td width=\"151\">M\u00fcnchen und Berlin<\/td>\n<td width=\"74\">2000<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schafh\u00e4utl, Karl Emil<\/td>\n<td width=\"416\">Abt Georg Josef Vogler. Sein Leben, Charakter und musikalisches System. Seine Werke, Schule, Bildnisse.<\/td>\n<td width=\"151\">Nachdruck<\/td>\n<td width=\"151\">AugsburgHildesheim<\/td>\n<td width=\"74\">18881979<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schaub, Stefan<\/td>\n<td width=\"416\">Erlebnis Musik. Eine kleine Musikgeschichte.<\/td>\n<td width=\"151\">B\u00e4renreiter-Verlagdtv<\/td>\n<td width=\"151\">Kassel u. a.<\/td>\n<td width=\"74\">1893<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schenk, Dietmar<\/td>\n<td width=\"416\">Die Hochschule f\u00fcr Musik zu Berlin.<\/td>\n<td width=\"151\">Steiner-Verlag<\/td>\n<td width=\"151\">Stuttgart<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schieck, Helga<\/td>\n<td width=\"416\">Beitr\u00e4ge zu einer Rezeptionsgeschichte desHenselt\u2019schen Schaffens.<\/td>\n<td width=\"151\">Edition IME Bd.14Studio Verlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schilling, Gustav<\/td>\n<td width=\"416\">Henselt-Biographie.<\/td>\n<td width=\"151\">Jahrb\u00fccher<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1839<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schilling, Gustav<\/td>\n<td width=\"416\">Enzyclop\u00e4die der gesamten musikalischen Wissenschaften oder Universal-Lexikon der Tonkunst.<\/td>\n<td width=\"151\">Gustav Schilling (Hg.), Suppl.-Band<\/td>\n<td width=\"151\">Stuttgart<\/td>\n<td width=\"74\">1838<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Shitomirski, Daniel<\/td>\n<td width=\"416\">Robert und Clara Schumann in Russland.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Moskau<\/td>\n<td width=\"74\">1962<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schiwietz, Lucian<\/td>\n<td width=\"416\">Adolph Henselt als Klavierp\u00e4dagoge in Russland: Ein Beispiel deutscher pianistischer Immigration im 19. Jh.<\/td>\n<td width=\"151\">Edition IME Bd. 3Studio Verlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2000<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schiwietz, Lucian<\/td>\n<td width=\"416\">Details aus dem pianistisch-methodischen Arsenal Adolph Henselts.<\/td>\n<td width=\"151\">Muzyka fortepianowa XII.<\/td>\n<td width=\"151\">Gda\u0144sk (Danzig)<\/td>\n<td width=\"74\">2001<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schiwietz, Lucian<\/td>\n<td width=\"416\">Henselts Chopin. In: Andreas Ballstaedt (Hg.), Chopin 1849\/1899. Aspekte der Rezeptions- und Interpretations-geschichte.<\/td>\n<td width=\"151\">Edition Argus<\/td>\n<td width=\"151\">Schliengen<\/td>\n<td width=\"74\">2003<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schiwietz, Lucian<\/td>\n<td width=\"416\">Henselts Beethoven \u2013 oder: der Versuch, ein Genie zu verbessern. Untersuchungen zu Henselts Editionen Beethoven\u2019scher Werke.<\/td>\n<td width=\"151\">Edition IME Bd.14 Studio Verlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schiwietz, Lucian (Hg.)<\/td>\n<td width=\"416\">Adolph Henselt und der musikkulturelle Dialog zwischen dem westlichen und \u00f6stlichen Europa im 19. Jahrhundert. Konferenzbericht Schwabach 25.-27. Oktober 2002. Hgg. von Dr. Lucian Schiwietz in Zusammenarbeit mit der Inter-nationalen Adolph-Henselt-Gesellschaft e. V. Schwabach.<\/td>\n<td width=\"151\">Edition IME Bd.14 Studio-Verlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schlesinger, Adolph Moritz<\/td>\n<td width=\"416\">Musikalien-Verlags-Catalog der Schlesinger\u2019schen Buch- und Musikhandlung<\/td>\n<td width=\"151\">Schlesinger<\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1858<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schlesisches Musiklexikon<\/td>\n<td width=\"416\">Henselt.<\/td>\n<td width=\"151\">Wi\u00dfner-Verlag<\/td>\n<td width=\"151\">Augsburg<\/td>\n<td width=\"74\">2001<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schl\u00fcpfinger, Heinrich<\/td>\n<td width=\"416\">Schwabach und 75 Jahre Geschichts- und HeimatvereinHg.: Geschichts- u. Heimatv. Schwabach. 56 S. mit Abbildg.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1976<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schl\u00fcpfinger, Heinrich<\/td>\n<td width=\"416\">Bauliche Entwicklung und Bev\u00f6lkerungswachstum der Stadt Schwabach. Festbuch 75 J. Gesch.Heim.V.<\/td>\n<td width=\"151\">Geschichts- und Heimatverein<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1977<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schl\u00fcpfinger, Heinrich<\/td>\n<td width=\"416\">Zur Stadtgeschichte Schwabachs.<\/td>\n<td width=\"151\">Geschichts- und Heimatverein<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1986<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schl\u00fcpfinger, Heinrich<\/td>\n<td width=\"416\">Schwabach, Stadtgeschichte und Stra\u00dfenlexikon.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1989<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schmid, Roland<\/td>\n<td width=\"416\">Die Beziehung Schwabachs zu Henselt und ihre kulturellen Perspektiven.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schmidt, Friedrich Aug.<\/td>\n<td width=\"416\">Neuer Nekrolog der Deutschen. Ilmenau.<\/td>\n<td width=\"151\">F. A. Schmidt<\/td>\n<td width=\"151\">Weimar<\/td>\n<td width=\"74\">1850<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schmidt, Lothar<\/td>\n<td width=\"416\">Adolph Henselt, Clara Wieck, Robert Schumann.Philologisches zu Funktion und Idee \u201epoetischer\u201c Klaviermusik.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schmiedel, Elisabeth und Draheim, Joachim<\/td>\n<td width=\"416\">Eine Musikerfamilie im 19. Jh.: Mariane Bargiel, Clara Schumann, Woldemar Bargiel in Briefen und Dokumenten, Bd. 2. In: Musikwissenschaftliche Schriften, Bd. 43.<\/td>\n<td width=\"151\">Musikverlag Katzbichler<\/td>\n<td width=\"151\">M\u00fcnchen-Salzburg<\/td>\n<td width=\"74\">2007<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schnurr, Joseph<\/td>\n<td width=\"416\">Die Kirchen und das religi\u00f6se Leben der Russlanddeutschen. Evangelischer und Katholischer Teil.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Stuttgart<\/td>\n<td width=\"74\">1978<br \/>\n1980<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schonberg, Harold C.<\/td>\n<td width=\"416\">Die gro\u00dfen Pianisten.<\/td>\n<td width=\"151\">Scherz-VerlagList-Verlag<\/td>\n<td width=\"151\">BernM\u00fcnchen<\/td>\n<td width=\"74\">19651972<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schrader, Bruno<\/td>\n<td width=\"416\">Franz Liszt.<\/td>\n<td width=\"151\">Schlesische Verlagsanstalt<\/td>\n<td width=\"151\">LeipzigBerlin<\/td>\n<td width=\"74\">19141917<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schriftenreihe der Hochschule f\u00fcr Musik \u201eFranz Liszt\u201c Weimar<\/td>\n<td width=\"416\">Band 1: Bericht der wissenschaftl. Konferenz aus Anlass des 200. Geburtstages J. N. Hummels am 18.11.1978 in Weimar.<\/td>\n<td width=\"151\">Druckhaus Weimar<\/td>\n<td width=\"151\">Weimar<\/td>\n<td width=\"74\">1978<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schr\u00f6ttel, Gerhard<\/td>\n<td width=\"416\">Adolph von Henselt. In: Frankenland. Zeitschrift f\u00fcr Fr\u00e4nkische Landeskunde und Kulturpflege. 41. Jahrgang. Heft 4, S. 122-123, Frankenbund (Hg.) 37 S. m. Abb.<\/td>\n<td width=\"151\">Frankenbund e. V.<\/td>\n<td width=\"151\">W\u00fcrzburg<\/td>\n<td width=\"74\">1989<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schuberth, J. F. G.<\/td>\n<td width=\"416\">Kleines musikalisches Conversations-Lexikon. 452 S.<\/td>\n<td width=\"151\">Schuberth-VerlagReprint Elibron<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">18712006<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schultz, Elisabeth von<\/td>\n<td width=\"416\">siehe: Adaiewsky, Ella von<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schultz, Georg Julius von( Dr. Bertram)<\/td>\n<td width=\"416\">Briefe eines baltischen Idealisten an seine Mutter.1833-1875.<\/td>\n<td width=\"151\">Nachdruck<\/td>\n<td width=\"151\">Leipzig Hannover-D\u00f6hren<\/td>\n<td width=\"74\">19341972<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schulz, Adalbert<\/td>\n<td width=\"416\">Die St. Michaelshofkirche in M\u00fcnchen. Festschrift zum 300-j\u00e4hrigen Jubil\u00e4um der Einweihung.<\/td>\n<td width=\"151\">Lentner\u2019sche<br \/>\nHofbuchhandlung<\/td>\n<td width=\"151\">M\u00fcnchen<\/td>\n<td width=\"74\">1897<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schumann, Clara<\/td>\n<td width=\"416\">Jugend-Tageb\u00fccher 1827-1840.<\/td>\n<td width=\"151\">Hg.: G. Nauhaus<br \/>\nund Nancy B. Reich<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Schumann, Robert<\/td>\n<td width=\"416\">Gesammelte Schriften \u00fcber Musik und Musiker.2 B\u00e4nde, 3. Auflage.<\/td>\n<td width=\"151\">Georg Wiegand\u2019s Verlag<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1854<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Seibold, Wolfgang<\/td>\n<td width=\"416\">Familie, Freunde, Zeitgenossen. Die Widmungstr\u00e4ger der Schumannschen Werke. 392 S.<\/td>\n<td width=\"151\">Studio-Verlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2008<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Seidling, Alfred<\/td>\n<td width=\"416\">Henselt. Anerkannter, aber vergessener Musiker der Romantik.<\/td>\n<td width=\"151\">Facharbeit<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1978<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Senn, Walter<\/td>\n<td width=\"416\">Johann G\u00e4nsbacher. Denkw\u00fcrdigkeiten aus meinem Leben.<\/td>\n<td width=\"151\">\u00d6sterreichischer Kulturverlag<\/td>\n<td width=\"151\">Thaur\/Tirol<\/td>\n<td width=\"74\">1986<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">S\u00f6llner, J\u00fcrgen<\/td>\n<td width=\"416\">Ikonographie der Portr\u00e4ts von Adolph Henselt.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stassov, V.<\/td>\n<td width=\"416\">Selected Essays in Music.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">London<\/td>\n<td width=\"74\">1968<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stassov, V.<\/td>\n<td width=\"416\">Aufs\u00e4tze zur Musik. Erinnerungen. Ausgabe 4.<\/td>\n<td width=\"151\">\u201eMusyka\u201c<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1978<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">St\u00f6ckl, Ernst<\/td>\n<td width=\"416\">Musikgeschichte der Russlanddeutschen.(Die Musik der Deutschen im Osten Europas, Bd.5)<\/td>\n<td width=\"151\">Laumann-Verlag<\/td>\n<td width=\"151\">D\u00fclmen<\/td>\n<td width=\"74\">1993<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Dietrich<\/td>\n<td width=\"416\">Po\u00e9me d\u00b4amour. Erz\u00e4hlung aus dem Leben eines bedeutenden Schwabachers, Adolph von Henselt.<\/td>\n<td width=\"151\">Facharbeit<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1954<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Die kirchliche Blasmusik im 15. und 16. Jahrhundert, ihre Pflege und ihre klangliche Entwicklung.<\/td>\n<td width=\"151\">Dissertation<\/td>\n<td width=\"151\">Erlangen<\/td>\n<td width=\"74\">1941<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Schwabacher Charakterk\u00f6pfe in der Musikgeschichte des 19. Jhd. 20 S. Adolph von Henselt, S. 57\u00a0 &#8211; 62.<\/td>\n<td width=\"151\">Adolf Weigl<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1951<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Adolf Henselt, ein vergessener Schwabacher Tonk\u00fcnstler. Vortrag in F\u00fcrth am 07.12.1953.<\/td>\n<td width=\"151\">unver\u00f6ffentlicht<\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">1953<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Henselt. In: Fr. Blume Hg.), Die Musik in Geschichte und Gegenwart (MGG). Sonderdruck. Band 6.<\/td>\n<td width=\"151\">B\u00e4renreiter<\/td>\n<td width=\"151\">Kassel\/BaselLondon<\/td>\n<td width=\"74\">1957<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Von Schwabach nach St. Petersburg. Artikel im Schwabacher Tagblatt vom 09.09.1960.<\/td>\n<td width=\"151\">Schwabacher Tagblatt<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1960<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Adolph Henselt. Zu seinem 150. Geburtstag<br \/>\nam 09.05.1964. ST, 9. Jg. Nr.2.<\/td>\n<td width=\"151\">Schwabacher Heimat<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1964<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Schwabach in der Musikgeschichte. Adolf Henselt. Sonderdruck aus: 600 Jahre Stadt Schwabach 1371-1971<\/td>\n<td width=\"151\">Sonderdruck<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1971<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Adolph Henselt und seine Zeit. Vortrag in Schwabach am 15.12.1973.<\/td>\n<td width=\"151\">unver\u00f6ffentlicht<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1973<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Adolph Henselt heute. Autorenlesung beim B\u00fcrgerfest. Vortrag in Schwabach am 05.08.1976.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1976<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Adolph Henselt heute. In: Heinrich Schl\u00fcpfinger (Hg.) Beitr\u00e4ge zur Stadtgeschichte und Heimatpflege. Festbuch zum 75 Jubil\u00e4um des Geschichts- und Heimatvereins.<\/td>\n<td width=\"151\">P. Gersbeck<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1977<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Johann Georg Herzog. Kirchenmusiker, Liturgiker und Erlanger Universit\u00e4tslehrern in seinen Briefen an Max Herold 1865-1908. 1. Aufl., 251 S. mit Abb.<\/td>\n<td width=\"151\">Verlag Kaiser<\/td>\n<td width=\"151\">M\u00fcnchen<\/td>\n<td width=\"74\">1978<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Einf\u00fchrung in den Tonsatz (Musik- und Harmonielehre). Schwabach 1978.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1978<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Adolph von Henselt. Festansprache zur Namensverleihung \u201eAdolph-von-Henselt-Musikschule\u201c. Festvortrag in Schwabach am 16.11.1984.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1984<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Vorwort zur Ausgabe der Vier Impromptus von Adolph Henselt.<\/td>\n<td width=\"151\">Breitkopf &amp; H\u00e4rtel<\/td>\n<td width=\"151\">Wiesbaden<\/td>\n<td width=\"74\">1988<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Stollberg, Oskar<\/td>\n<td width=\"416\">Nachlass des evang.-luth. Dekanats Schwabach.<\/td>\n<td width=\"151\">&#8212;<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">1995<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Sutermeister, Peter<\/td>\n<td width=\"416\">Robert Schumann.<\/td>\n<td width=\"151\">Heliopolis-Verlag<\/td>\n<td width=\"151\">T\u00fcbingen<\/td>\n<td width=\"74\">1949 1982<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Thomas, Kurt<\/td>\n<td width=\"416\">Johann Nepomuk Hummel in Weimar, Tradition und Gegenwart. Weimarer Schriften Heft 26. 80 S.<\/td>\n<td width=\"151\">Druckhaus Weimar<\/td>\n<td width=\"151\">Weimar<\/td>\n<td width=\"74\">1987<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Tomaszewski, Mieczyslaw<\/td>\n<td width=\"416\">Fr\u00e9d\u00e9ric Chopin und seine Zeit.<\/td>\n<td width=\"151\">Laaber-Verlag<\/td>\n<td width=\"151\">Laaber<\/td>\n<td width=\"74\">1999<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Tronicke, Jutta<\/td>\n<td width=\"416\">In: Heimatverein Maxen (Hg.), Serres und die K\u00fcnstler.<\/td>\n<td width=\"151\">Niggemann &amp; Simon<\/td>\n<td width=\"151\">M\u00fcglitztal<\/td>\n<td width=\"74\">2009<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Varga-Behrer, Angelika<\/td>\n<td width=\"416\">\u201eHut ab, ihr Herren, ein Genie\u201c. Studien zur Chopin-Rezeption in der zeitgen. Musikpresse Deutschlands und Frankreichs.<\/td>\n<td width=\"151\">Schott Music<\/td>\n<td width=\"151\">Mainz<\/td>\n<td width=\"74\">2010<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Vogel, C. B. und Kipke, C.<\/td>\n<td width=\"416\">Das K\u00f6nigliche Conservatorium der Musik zu Leipzig.<\/td>\n<td width=\"151\">Schloemp-Verlag<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1888<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Vogel, Carl, Dr. med.<\/td>\n<td width=\"416\">\u201eDie letzte Krankheit Goethes, beschrieben und nebst einigen anderen Bemerkungen \u00fcber denselben mitgetheilt von Dr. Carl Vogel, 1833\u201c.<\/td>\n<td width=\"151\">Dr. Carl Vogel<br \/>\nHg.: Klaus Bergdolt<\/td>\n<td width=\"151\">Berlin<br \/>\nHeidelberg(Nachdruck)<\/td>\n<td width=\"74\">1833<br \/>\n1999<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Wagner, Karl SJ<br \/>\nKeller, Albert SJ (Hg.)<\/td>\n<td width=\"416\">St. Michael in M\u00fcnchen. Festschrift zum 400. Jahrestag der Grundsteinlegung und zum Abschluss des Wiederaufbaus.<\/td>\n<td width=\"151\">Schnell &amp; Steiner<\/td>\n<td width=\"151\">M\u00fcnchen<\/td>\n<td width=\"74\">1983<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Walcker-Mayer, Werner<\/td>\n<td width=\"416\">Orgelbau und Orgelbaugeschichte in Russland.<\/td>\n<td width=\"151\">Walcker-Stiftung<\/td>\n<td width=\"151\">Kleinblittersdorf<\/td>\n<td width=\"74\">1991<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Walker, Bettina<\/td>\n<td width=\"416\">My musical experiencis. 2. Aufl. Henselt, S.153-324.<\/td>\n<td width=\"151\">Bentley &amp; Son<\/td>\n<td width=\"151\">London<\/td>\n<td width=\"74\">1890<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Wasielewski, Wilhelm Joseph von<\/td>\n<td width=\"416\">Robert Schumann. Eine Biographie.<\/td>\n<td width=\"151\">Rudolph Kunze<\/td>\n<td width=\"151\">Dresden<\/td>\n<td width=\"74\">1858<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Weinmeister, Rudolf<\/td>\n<td width=\"416\">Henriette Voigt. Zum 100. Todestag der \u201eEleonore\u201c Robert Schumanns. In: Merseburger, Georg (Hg.), Leipziger Jahrbuch<\/td>\n<td width=\"151\">Otto Beyer<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1939<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Weissweiler, Eva<\/td>\n<td width=\"416\">Briefwechsel Clara und Robert Schumann. EA 1984.<\/td>\n<td width=\"151\">Eva Weissweiler<\/td>\n<td width=\"151\">Frankfurt\/Main<\/td>\n<td width=\"74\">1987<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Weissweiler, Eva<\/td>\n<td width=\"416\">Die Musik will gar nicht rutschen ohne dich.Fanny und Felix Mendelssohn. Briefwechsel 1821-1846.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\">Berlin<\/td>\n<td width=\"74\">1997<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Weissweiler, Eva<\/td>\n<td width=\"416\">Komponistinnen vom Mittelalter bis zur Gegenwart.<\/td>\n<td width=\"151\">B\u00e4renreiter\/DTV<\/td>\n<td width=\"151\">M\u00fcnchen<\/td>\n<td width=\"74\">1999<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Weitzmann, C. F.<\/td>\n<td width=\"416\">Geschichte des Clavierspiels und der Clavierliteratur.2. Aufl. 1879.<\/td>\n<td width=\"151\">J. G. Cotta<\/td>\n<td width=\"151\">Stuttgart<\/td>\n<td width=\"74\">1863<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Wieck, Friedrich<\/td>\n<td width=\"416\">Clavier und Gesang. Didaktisches und Polemisches.<\/td>\n<td width=\"151\">F. Whistling<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1853<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Wigand, Otto (Hg.)<\/td>\n<td width=\"416\">Wigand\u2019s Coversations-Lexikon. F\u00fcr alle St\u00e4nde.<\/td>\n<td width=\"151\">Verlag Wigand<\/td>\n<td width=\"151\">Leipzig<\/td>\n<td width=\"74\">1848<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Wohnhaas, Theodor<br \/>\nFischer, Hermann<\/td>\n<td width=\"416\">Die N\u00fcrnberger Orgelbauer Bodechtel.<\/td>\n<td width=\"151\">Musik in Bayern.Ges. f. bayer. Musikgesch.<\/td>\n<td width=\"151\">Tutzing<\/td>\n<td width=\"74\">1995<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Wolf, Jana<\/td>\n<td width=\"416\">Adolph von Henselt &#8211; eine vergessene Musikerpers\u00f6nlichkeit des 19. Jahrhunderts. Facharbeit vom 03.02.2003.<\/td>\n<td width=\"151\">Facharbeit(Mit H\u00f6rspiel-CD)<\/td>\n<td width=\"151\">Schwabach<\/td>\n<td width=\"74\">2003<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">W\u00fchrer, Friedrich<\/td>\n<td width=\"416\">Meisterwerke der Klaviermusik.<\/td>\n<td width=\"151\">Heinrichhofen<\/td>\n<td width=\"151\">Wilhelmshaven<\/td>\n<td width=\"74\">1966<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Zaunick, Rudolph (Hg.)<\/td>\n<td width=\"416\">Carus, Carl Gustav. Lebenserinnerungen und Denkw\u00fcrdigkeiten.<\/td>\n<td width=\"151\">Je\u00df-Verlag<\/td>\n<td width=\"151\">Dresden<\/td>\n<td width=\"74\">1931<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Zduniak, Maria<\/td>\n<td width=\"416\">Adolph Henselt in Breslau.<\/td>\n<td width=\"151\">Edition IME Bd.14 \/Studioverlag<\/td>\n<td width=\"151\">Sinzig<\/td>\n<td width=\"74\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Zenz, Helmut SDB<\/td>\n<td width=\"416\">Hector Berlioz (1803-1869), Biographie (&lt;http:\/\/www.helmut-zenz.de\/berlioz\/&gt;).<\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\">2006<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Zielinski, Tadeusz A.<\/td>\n<td width=\"416\">Chopin. Sein Leben, sein Werk, seine Zeit. 912 S.<\/td>\n<td width=\"151\">L\u00fcbbe-Verlag<\/td>\n<td width=\"151\">Bergisch-Gladbach<\/td>\n<td width=\"74\">1999<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"416\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h3>Zeitschriften<\/h3>\n<p>&nbsp;<\/p>\n<table width=\"981\">\n<tbody>\n<tr>\n<td width=\"189\">Allgemeine musikalische Zeitschrift (AmZ)<\/td>\n<td width=\"378\">1814 \u2013 1882<\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\">versch.<\/td>\n<td width=\"57\">versch.<\/td>\n<td width=\"74\">www<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Allgemeine Musik-Zeitung<\/td>\n<td width=\"378\">Koskull, Bernard von: Vergesst nicht gute deutsche Meister. (Ein Gedenkblatt f\u00fcr Adolph Henselt). Jg. 62.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\">Berlin, Leipzig K\u00f6ln, M\u00fcnchen<\/td>\n<td width=\"57\">1935<\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Der Klavierlehrer. Musik-p\u00e4dagogische Zeitschrift.<\/td>\n<td width=\"378\">Henselt in Jg. 8, Nr. 19 bis 21.<\/td>\n<td width=\"151\">Breslaur, Emil (Hg.)<\/td>\n<td width=\"132\">Berlin<\/td>\n<td width=\"57\">1885<\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Leipziger Zeitung<\/td>\n<td width=\"378\">La Mara (Henselt) in Wissenschaftliche Beilage Nr. 56 vom 10.05.1890 und 57 vom 13.05.1890.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Musikalisches Wochenblatt<\/td>\n<td width=\"378\">Henselt-Musikalien Nr. 38 vom 12.09.1879 und Nr. 47 vom 14.11.1879.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Neue Berliner Musik-<br \/>\nzeitung<\/td>\n<td width=\"378\">Lenz, Wilhelm von: Die gro\u00dfen Pianisten-Virtuosen der Gegenwart. Nr. 32 ff.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\">Berlin<\/td>\n<td width=\"57\">1871<\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Neue Zeitschrift f\u00fcr Musik (NZfM)<\/td>\n<td width=\"378\">1834 \u2013 1854.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\">Leipzig<\/td>\n<td width=\"57\">versch.<\/td>\n<td width=\"74\">www<\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Neue Zeitschrift f\u00fcr Musik<\/td>\n<td width=\"378\">Brendel, Carl Franz: Concert von Clara Wieck.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\">Leipzig<\/td>\n<td width=\"57\">1837<\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Neue Zeitschrift f\u00fcr Musik<\/td>\n<td width=\"378\">Kaskel, Sophie <div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-overflow:visible;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\">[Sara]: Adolph Henselt.Bd.7, Nr.15.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\">Leipzig<\/td>\n<td width=\"57\">1837<\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Niederrheinische Musik-Zeitung<\/td>\n<td width=\"378\">Henselt-Biographie. 1. Jg., S. 45.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Niederrheinische Musik-Zeitung<\/td>\n<td width=\"378\">Hesse, Adolf Friedrich: Adolph Henselt.Nr. 6 (08\/1853).<\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\">1853<\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">Rheinische Musik- und Theater-Zeitung<\/td>\n<td width=\"378\">Dorn, Otto: Adolph Henselt Brevier. Nr. 20.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\">1919<\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\">The Musical Times<\/td>\n<td width=\"378\">Henselt in: Nr. 473 vom 01.07.1882 (p. 367), Nr. 547 vom 01.09.1888 (p. 555), Nr. 561 vom 01.11.1889 (p. 666), Nr.608 vom 01.10.1893 (p. 614) usw.<\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"height: 592px;\" width=\"979\">\n<tbody>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<tr>\n<td width=\"189\"><\/td>\n<td width=\"378\"><\/td>\n<td width=\"151\"><\/td>\n<td width=\"132\"><\/td>\n<td width=\"57\"><\/td>\n<td width=\"74\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>&nbsp;<div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Adolph von Henselt \u2013 Bibliography Stand: Februar 2015 Compiled by Gebhard Kindl, Schwabach. &nbsp; Autor Titel Herausg.\/Verlag Ort Jahr Adaiewsky, Ella von (Elisabeth von Schultz) Adolfo Henselt. Gazzetta musicale di Milano 45, Nr.7. Mailand 1890 Adaiewsky, Ella von (Elisabeth von Schultz) Adolph Henselt. Quelques apercus sur sa m\u00e9thode d\u2019enseignement par une de ses el\u00e8ves. Rivista  [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":11396,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11436","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/henselt-gesellschaft.de\/en\/wp-json\/wp\/v2\/pages\/11436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/henselt-gesellschaft.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/henselt-gesellschaft.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/henselt-gesellschaft.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/henselt-gesellschaft.de\/en\/wp-json\/wp\/v2\/comments?post=11436"}],"version-history":[{"count":6,"href":"https:\/\/henselt-gesellschaft.de\/en\/wp-json\/wp\/v2\/pages\/11436\/revisions"}],"predecessor-version":[{"id":12506,"href":"https:\/\/henselt-gesellschaft.de\/en\/wp-json\/wp\/v2\/pages\/11436\/revisions\/12506"}],"up":[{"embeddable":true,"href":"https:\/\/henselt-gesellschaft.de\/en\/wp-json\/wp\/v2\/pages\/11396"}],"wp:attachment":[{"href":"https:\/\/henselt-gesellschaft.de\/en\/wp-json\/wp\/v2\/media?parent=11436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}